Plus dimension. Queer. Completely magical. There are such a lot of phrases to explain dynamically-disabled dancer Makenzie Morgan Gomez. Nonetheless, at her core, she’s an artist who pushes previous the cruel streaks of life’s canvas and paints a narrative with each praise-worthy efficiency.
The multi-gifted entertainer grew to become a power to be reckoned with on the ground in her adolescence, creating a love for the brilliant lights, crimson curtains, and centerstage. From dance courses to highschool performs, Gomez couldn’t escape her infatuation with microphones and motion, honing an plain talent that has catapulted the singer-actress into the theatrical powerhouse she is at the moment. Hailing from the Golden State, this Mexican-American trailblazer has professionally displayed her abilities earlier than audiences for over a decade.
After years of coaching and exercising her God-given craft(s), it was in 2020 that what Gomez had grown to take action effortlessly started to look lots completely different for her. A sudden battle with autoimmune points seemingly triggered numerous bodily impairments, leaving the illustrious performer to query what her future within the arts would maintain. For so long as she may keep in mind, dancing had been her manner of connection and expression. With an onset of persistent ache and being almost robbed of the power to stroll, the Californian was devasted and depleted however nonetheless decided sufficient to adapt to her new regular.
Picture by way of Shani Hajian Images
What many would see as an impediment, Gomez noticed it as a possibility to beat. Making the brave choice to not be restrained by her present state of affairs, the 32-year-old used her medical diagnoses for the larger good, morphing into the voice and the visible of a modern-day superwoman on the performing entrance. From there, Gomez’s rising affect expanded past her wildest creativeness.
In 2024, she discovered herself within the highlight of her Off-Broadway debut in Neil Simon’s I Must Be in Footage, the place she delivered an excellent act as ‘Libby.’ Together with that fantastic achievement, later that yr, Gomez created an empowering manufacturing known as Music and the Mirror (& Mobility Aids), a six-minute re-interpretation of Marvin Hamlisch and Ed Kleban’s musical, A Refrain Line. The riveting section featured Gomez using her mobility aids as she gracefully showcased an emotion-filled, choreographic portrayal.
Iconic in her personal proper, Gomez continues hustling by way of the damage, dwelling life within the intersections (as she says), and charming the gang… one motivational masterpiece at a time.
We lately spoke with this pretty girl to debate how she’s turned the stereotypes and stigmas surrounding incapacity into full-blown dopeness. Test it out under!
Picture by way of Shani Hajian PhotographyPlus Dimension Performer Makenzie Morgan Gomez Talks Persisting in Her Function, Proudly owning Her Uniqueness, & Reshaping the Narrative for Disabled Of us in Theater
TCF: So, let’s take it again to the very starting. The place have been you born and raised?
Makenzie Morgan Gomez: I used to be born in San Diego, California however raised in San Pedro. So, the South Bay… simply outdoors of Los Angeles.
TCF: How would you say rising up there formed you into who you’re at the moment?
Makenzie Morgan Gomez: My dad and mom all the time inspired [me] to pursue what [I] had a ardour in and to search out one thing that [I was] enthusiastic about. Grades have been vital, but it surely was simply as vital to search out one thing you like to do. So, I used to be very fortunate to have that upbringing as a result of as soon as I did discover dance and performing, I used to be so hooked, and I by no means needed to battle my dad and mom to let me do one other present or be part of one other dance group so long as I saved my grades up. , we had sure agreements, however they by no means mentioned “no.” There was all the time, “Let’s find a way to make it happen for you.”
I feel that mentality actually formed lots of how I’ve gone by way of my life as an grownup, t00. I all the time need to discover a technique to do what I like to do. And there’s all the time going to be this balancing act. In childhood, it was getting good grades, and in maturity, it’s paying the payments! [laughs]
TCF: Proper! [laughs] Have you ever all the time had a ardour for the performing arts? In that case, at what age would you say you realized this was one thing you wished to pursue?
Makenzie Morgan Gomez: Yeah! I began taking dance class after I was eight and I appreciated it lots, but it surely was center college that I used to be like, “Oh, I want to do this for the rest of my life.” That was extra so like seventh [or] eighth grade. I began to get forged in lead roles in my center college’s musicals. [It was] at that time after I was like, “Oh, yeah, I’m going to find a way to do this as an adult.”
TCF: So, you’ve been doing this a very long time!
Makenzie Morgan Gomez: Certain have! [I turned] thirty-two in January! [laughs] It’s been, at the least, twenty years.
TCF: That’s such a blessing!
Makenzie Morgan Gomez: Sure!
TCF: One of many issues I like about your story is that you just unapologetically stand in all your truths… it doesn’t matter what which will appear to be. Not solely being plus dimension and dynamically disabled but additionally queer. I really feel like, whereas there are way more liberating areas for the LGBTQIA+ group at the moment than there was, many nonetheless carry these traumatic experiences from not being accepted.
So, how would you recall your coming-out story? Have been you all the time as free and open about your sexuality as you at the moment are or is that one thing you struggled with since an early age?
Makenzie Morgan Gomez: That’s one thing I’ve struggled with since an early age. I didn’t come out till I used to be twenty-six years previous. I feel really popping out as queer and at last claiming that identification is what propelled me into claiming all of my different identities with simply as a lot loudness, I assume. One of many downsides of pursuing theater, or any type of performing arts, is questioning do we’ve to be this cookie-cutter model of one thing. Do we’ve to appear to be a Rockette? I like the Rockettes, to be clear, [laughs], however they’ve a really particular look. I feel rising up in Theater and beginning to pursue it professionally made me query lots of items of myself and what I used to be prepared to point out… together with my Mexican heritage.
It’s one thing that I struggled with determining tips on how to navigate these identities and audition for roles. After I got here out as queer, I felt so liberated from lastly proudly owning that, that I began to guage different areas of my life the place I may personal items of myself that I’ve perhaps tried to suppress.
TCF: And I’m positive entertaining has been a really expressive outlet for you and offered a way of freedom. Do you keep in mind your first massive break and what it felt like? Like, that second while you simply knew that performing was your future and also you have been precisely the place you have been known as to be?
Makenzie Morgan Gomez: Oh, gosh! Yeah! I’ve had a few these moments in my life. As a baby, it was my eighth-grade musical after I bought the lead function. That was like the primary second–at fourteen years previous–the place I used to be like, “Okay, I have to figure out a way to do this!” After which… as I bought older, [another moment was] after I was a senior in highschool auditioning for BFA musical theater packages. I really didn’t get into any of the audition-based packages I went out for. I had this second the place I needed to determine as a senior in highschool, “Do I want to pursue something else or do I want to try again?” I made a decision to take a spot yr, practice in LA, and audition once more. After I auditioned [for] the second yr, I bought into my dream college.
TCF: Wow!
Makenzie Morgan Gomez: So, that was one other second of like, “Okay, if I put in the work, I can do this.” After which there was one other second in faculty. I broke a part of my backbone as a junior in faculty.
TCF: Oh, goodness! No manner!
Makenzie Morgan Gomez: In ballet class. I broke a part of my backbone. [laughs] I giggle as a result of it’s like essentially the most wild story ever, but it surely’s all the time my enjoyable truth after I’m in a get-to-know-you circle. I unknowingly broke a part of my backbone and ended up in a again brace. The varsity, my medical doctors, everyone else have been mainly giving me this second of like, “Do you want to continue or is this a sign to pursue something else?” And I used to be like, “No, this is an injury that can heal. I’m going to keep going. I’m a year away from graduating. Absolutely not.”
I healed in half the time it was purported to take, and I used to be again in dance in like 4 months. So, it was like one other second of the universe giving me this opportunity–or nonetheless you need to put it, the universe, God, whoever–giving me this opportunity to pause and ask myself, “Do I really want to pursue this or is it going to be too hard?” As a result of while you pursue theater in New York Metropolis, there are such a lot of rejections, so many moments of, “Am I good enough?”
It’s important to need it sufficient to remain. And that was a kind of moments for me of… “Do I want it enough?”
TCF: To see the place you’re at the moment is so motivating!
Makenzie Morgan Gomez: Additionally, I didn’t begin going disabled till 2020. And so [that was] one other piece of… “Do I want to keep doing this? Is there space for me? Am I willing to put in the work and claim my space and I can own it? [How can I show] that I’m worthy of being here when not a lot of people look like me?” Not lots of people are doing this but… as a disabled skilled performer. The primary audition season that I went again [in] exhausting–like went exhausting and auditioned once more… absolutely claiming my disabilities–I booked my off-Broadway debut. That was this previous yr, 2024.
TCF: That brings me to my subsequent query. May you allow us to in in your situations and the way the journey navigating by way of these disabilities has been for you since discovering out in 2020?
Makenzie Morgan Gomez: It’s been a non-linear journey. I began creating autoimmune disorder-type signs in 2020 and issues simply continued to progress the place increasingly more signs started to point out themselves. I’ve quite a few diagnoses now, and we nonetheless don’t know the total story, however what I can say is thru the previous few years we’ve recognized a thyroid situation. I’ve Hashimoto’s illness, and that was one of many best issues to unravel as a result of there’s medicine for that and we’ve been monitoring it and it’s been below management.
That was the very first thing to form of pop up and get found. Once we began to get that below management, there have been nonetheless so many different signs that wanted to be appeared into–the most important one being persistent ache. My leg will randomly go fully numb. There’s no correlation. It got here out of nowhere, or it felt prefer it got here out of nowhere. There was no correlation [between] me exercising or not exercising, sitting or standing, strolling or staying nonetheless.
I used to be logging every thing that was occurring–all of my signs–and I couldn’t discover a correlation as to why this was occurring together with persistent ache and persistent fatigue and all types of issues. Alongside the way in which, a rheumatologist was like, “Yeah, you don’t have arthritis, you don’t have this, you don’t have that. I don’t know, let’s just say you have fibromyalgia.” Whereas I do imagine that I in all probability have that, it’s not the total story; it doesn’t clarify lots of issues. The large discovery that lately occurred is my dad and mom have been cleansing out their storage and got here throughout previous medical recordsdata of mine from childhood. We began to recollect [that in] my childhood, I had persistent ache as, as a preschooler, and we by no means may determine why.
TCF: So, you doubtless had related points again then as nicely?
Makenzie Morgan Gomez: Yeah! This previous rheumatologist from the nineties recognized me with a hypermobility spectrum dysfunction.
Picture by way of Shani Hajian Images
TCF: Okay.
Makenzie Morgan Gomez: Within the nineties, this wasn’t even a really generally recognized factor. However, now, twenty-five years later, there are tons extra research popping out and articles and analysis on hypermobility. Whereas, sure, lots of the inhabitants is mostly hypermobile and it won’t be regarding in any manner, there are uncommon ailments. There are individuals who fall below this uncommon illness class the place hypermobility is disabling. I nonetheless must get examined for what known as Ehlers-Danlos Syndrome or EDS for brief. There’s a grouping of 13 kinds of EDS, one being hypermobility. That is quite common for dancers to overlook as a result of we’re so celebrated for being versatile that you just don’t suppose something of it till your physique makes you suppose something of it.
So, there’s one thing inside this hypermobility, whether or not it’s hypermobility spectrum dysfunction or a model of EDS, that may be very doubtless the primary analysis for me that’s inflicting persistent ache which explains why I want to make use of mobility aids now and all of that. I do know it’s a long-winded reply. Sorry! [laughs]
TCF: No! Pay attention, give all the main points! [laughs] With that mentioned, I can think about you went by way of a interval of self-doubt and felt like these new limitations would prohibit you from reserving jobs. What has helped you push previous these emotions and proceed propelling them into your goal?
Makenzie Morgan Gomez: On one hand, like every artist, there’s simply this deep inside want. It’s like a necessity for me to be an artist. I can’t escape it. I attempted doing one other profession. [laughs] I attempted to see if I may pursue different issues and perhaps be inventive on the facet, however I’ve to be an artist. There’s this want. On high of that, I’ve labored so exhausting, I’ve had a lot coaching, [and] I’ve overcome a lot already. It looks like my story is just not over right here. I’m not prepared to go away New York. I’m not able to give up. I’m a member of the union. I do know that there’s one other manner. There’s this inside monologue, and I assume like a come-to-Jesus second for me. Like, “Am I going to do this or am I just going to be miserable and always wonder what if?”
TCF: I like that.
Makenzie Morgan Gomez: So, after I lastly was prepared to deal with that, I bought again into class with [my acting teacher]. I’ve an ideal appearing trainer and profession mentor in New York Metropolis. I talked to her about it, and he or she was like, “Alright, let’s figure this out. Let’s figure out what this means for you and figure out a way that we’re going to present you. Like, what is your plan of attack here?” As a result of if I’m going into these audition rooms uncertain, then casting will likely be uncertain. I needed to discover a technique to be assured in what I used to be presenting. I did lots of work behind the scenes with my appearing and profession coach earlier than I stepped foot into an audition room once more.
Makenzie Morgan Gomez: Oh, my God! It was such an ideal day! I didn’t have any illustration. I didn’t have an agent but. So, I self-submitted on-line for every thing or simply confirmed as much as open calls. I had submitted for this function on Actors Entry. I didn’t must go in particular person, they requested me to do a self-tape. I filmed myself doing the monologues at residence, despatched in a self-tape, they usually requested me for one more spherical. So, I did one other spherical. In one of many callbacks, that was digital, they requested me to speak about my disabilities in no matter manner I’m snug and what it’s like navigating New York Metropolis with them.
I did that, bought the ultimate callback in particular person, and confirmed up at their theater. The thrilling factor about this specific off-Broadway firm is its mission to forged and combine disabled performers into exhibits that aren’t essentially written for disabled actors. Their complete mission is about this, which is so uncommon. And it’s like the one off-Broadway home that does this.
TCF: So, it was made for you!
Makenzie Morgan Gomez: It was made for me… precisely! It felt so aligned. I didn’t have to fret about all of the issues I fear about at different auditions as a result of they already bought it. , they already understood. So, I went in particular person, I did my monologues for them, [and] they gave me some notes. The creative director was so good. He gave me a hug. I introduced my service canine in, they usually have been completely wonderful with that. It was such a simple expertise, and it was so enjoyable.
Picture by way of Constructing for the Arts
TCF: 2024 has positively been a yr of wins for you. There’s no manner I may undergo this interview with out mentioning your wonderful Music and the Mirror (& Mobility Aids) efficiency. So, discuss to me about that. What was the inventive course of like placing that manufacturing collectively? I did watch it, and I used to be fully blown away. It virtually introduced me to tears. So inspirational!
Makenzie Morgan Gomez: Thanks a lot! I’m so glad you loved it! My off-Broadway debut was within the spring of 2024, and it was a straight play, so there was no singing or dancing in it. However dance is my past love, if you’ll. Dance has all the time been like my roots of how I bought into theater. I used to be so grateful to do a play, however I need to do a musical. I actually need to do a musical subsequent… if I can. I spotted by way of taking dance courses in New York Metropolis and connecting with choreographers that lots of people simply don’t know what to anticipate once they see somebody come right into a dance area with mobility aids.
Individuals are much more uncertain after I say I’m dynamically disabled and I can use a spread of mobility aids, relying on the day. Folks don’t know what meaning. They could type of perceive, however they don’t know what to ask, particularly in a dance setting. They don’t know what that appears like as a result of there’s not a blueprint. There’s not [anyone] else exhibiting this on this manner. Quite a lot of the disabled-dancer social media presence are wheelchair customers. So, folks don’t know what to search for but or what to anticipate or envision [with me]. I made a decision, “Alright, I’m coming off this off-Broadway show. I have the summer off, [and] the show [is] closed. What am I going to do with my time?” I wished to create some type of video idea piece that confirmed me utilizing all of my mobility aids in the entire ways in which I can. Via that preliminary thought, Music and the Mirror got here to my thoughts as a result of a very good good friend of mine was in a manufacturing of a refrain line that summer time.
I talked to her about it, [and] I talked to my appearing coach about it. We got here up with this idea, and it was unimaginable how little I needed to change. All of it’s as written however was so relevant to my situation. The one phrase I added was disabled in entrance of dancer. All the things else is strictly as written.
TCF: You set a lot emotion into that efficiency. Amazingly carried out!
Makenzie Morgan Gomez: Thanks a lot! The method of studying the unique choreography and adapting it with my good friend, Cassidy was a lot enjoyable. I didn’t know I might be taught the entire thing, however then I did. So, that was after I determined, “Alright, I need to hire a videographer. I need to rent a really cool space and get really good footage of this because this is so much bigger than I even thought it could be.” The videographer that I selected… I had labored together with her as soon as earlier than, and he or she was so excited to make this imaginative and prescient come to life with me. She completely purchased into what I used to be attempting to do. She captured it superbly. So, it was such an ideal, collaborative expertise, and I couldn’t have carried out it with out all of the folks [who] helped make it occur.
TCF: What would you like folks to say once they consider the mark Makenzie Morgan Gomez has left by way of her artistry?
Makenzie Morgan Gomez: I need folks to see that I’m not simply out right here performing; I’m attempting to alter the narrative for disabled artists. I used Music and the Mirror (& Mobility Aids) on this manner… not simply to point out what I can do however as an invite to have conversations about it. Individuals are so afraid to speak about incapacity as a result of they don’t need to offend anyone. However I need to present area to make these errors and have these messy conversations so we are able to get extra disabled artists on stage.
TCF: Proper! And improve visibility.
Makenzie Morgan Gomez: Precisely. And we’re beginning to do it slowly however absolutely, however there’s a lot room for progress within the theater trade. Primarily based on the folks I’ve spoken to to date, they don’t know tips on how to do it, however they need to.
TCF: Some other tasks within the pipeline for the brand new yr that we are able to anticipate?
Makenzie Morgan Gomez: I’m launching a enterprise! [laughs]
TCF: So dope! Congratulations!
Makenzie Morgan Gomez: Thanks! Sure! I simply fashioned the LLC, and I’m beginning to increase cash for it. It’s known as Artistic Variations. The entire objective is strictly what I simply talked about. The corporate goals to empower skilled theater makers to be disability-informed allies and adaptive creators and collaborators. I’m so excited to roll out programming in 2025 that provides people an opportunity to come back in and workshop their materials, and learn to adapt choreography, tips on how to work with disabled artists, and understanding that disabled artists will not be a monolith, proper?
All of us have very distinctive wants or mobility aids… or no matter. So, I need to present an area the place choreographers can are available in and work with a spread of mobilities or disabilities and be taught, on the spot, in a secure area. Additionally, tips on how to work with them once they come within the room and never ever reduce the standard expectation {of professional} theater, however adapt what the preliminary imaginative and prescient was. ? To nonetheless get that intent, nonetheless get that integrity of choreography. Possibly, as a substitute of a kick, it’s an arm, stuff like that. So, [the focus is to] discover the identical dynamics, however with a little bit of adaptation. I need to present the area for folks to learn to try this.
Keep related with Makenzie Morgan Gomez on social media:
TikTok: MakenzieMorganGomez
YouTube: MakenzieMGomez/LifeintheIntersections
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